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We’ve updated our Terms of Use. You can review the changes here.

Wunderk​ü​nk

by Monkeygrinder

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1.
See them marching down the walk Scuffed shoes marking the time Bleary eyed at the breaking dawn Step back in line Worn denim black from soot Uniform for the mine Shoulder those picks, turn your lanterns on Step back in line Of the long black train Of the long black train Of the long black train Of the long black train Resignation on each face Embrace the coalman’s grind Sold souls of the underground Step back in line Of the long black train Of the long black train Of the long black train Of the long black train Squinting through their coal stained sweat Scraping for that dime The clang of picks echoes through the deep Step back in line Of the long black train Of the long black train Of the long black train Of the long black train
2.
You sir, come test your luck A try one measly buck Why no this game ain’t crooked Just step right up and play Two hearts and one black ace A chance to guess its place It’s double or nothing that’s the prize Throw caution to the fray Lock up all your valuables Close your windows tight Clear the streets of your small children We arrive tonight Fill your pockets, stuff your wallets Come support our noble trade Here for your amusement The carnies on parade Lookout! Carnies on parade Townspeople one and all All you can hear this call Come see our traveling freak show Just one thin dime to go Such things beyond compare Will make you stop and stare The siamese twins, the cannibal king And more within our show Lock up all your valuables Close your windows tight Clear the streets of your small children We arrive tonight Fill your pockets, stuff your wallets Come support our noble trade Here for your amusement The carnies on parade Lookout! Carnies on parade
3.
Step right up and witness Ladies gentlemen and all A world of amusement This circus carnival This is the last time I swing this trunk Last night the master’s drunk Chains are rattling in the distance Monkeys swinging from the bars Come on in and test your strength Some ghostly organ squeaks a tune Step right up and witness This visual assault Big top full of wonders And the elephant’s last waltz Whip cracks a lion roars Trapeze girl flying hits the floor No more little kiddy rides On my knees this one last night Flash lights up their cotton candy faces As the cannon fires Step right up and witness The ringleader he calls Big top full of wonders And the elephant's last waltz Three rings for a dollar A sawdust doll for your girl back home Around it goes the ferries wheel’s squeaking Dirty hands, pair of shifty eyes Carnie lurking in the shadows Mister takes a ride? The clowns, they’re filing in now Sadistic grins, silly shoes I wonder what’s hiding behind that greasy smile And why the bearded lady’s crying They’ll be just fine without me And the master’s evil ways He’ll never see it coming This ringleader’s last parade The folks, now they is running Screams cut through the air like a knife My last night in this damn circus dancing round Bloody top hat crushed on the ground Step right up and witness Young, old, big and small A world of amusement This circus carnival Don’t cry for him don’t make a sound Don’t cry for the master dead on the ground Just step right up, come see the show Big top full of wonders and this elephant’s last waltz                        
4.
The Suit 02:27
So Mitch cremated this lady’s husband. "Fifty percent off. Call it a going away special,” Mitch declared. “Hell, I’ll even throw in the suit.” “Keep the suit,” the widow replied, as she callously closed the lid of the pine box that lay between them. Into the flames the rustic, wooden, box slid, and Mitch muttered to himself, “Forty-five minutes outta do it.” His work done for the time-being, and seizing the opportunity to rest his aching feet, Mitch retired to an antique, leather, swivel chair, removed the battered fedora from his desk, and placing it lightly atop his head, pulled the brim down just low enough to hide his drooping eyelids. As Mitch leaned back, the squeaking springs of his chair drew the widow’s gaze for a moment, but her curious attention quickly returned to the voluminous brick oven, grateful that it was finally beginning to beat away the chill in that cavernous, cement room. Outside, thick black smoke could be seen spewing from one of three derelict chimneys atop the crematorium’s decrepit roof. The other two chimneys stood vacant: their furnaces rarely lit. Business was slow these days. An hour slipped by in near-silence, until startled awake by his own snoring, Mitch roused from his slumber, and as adroitly as a baker leaping into action at the ding of the timer to retrieve his latest confection, Mitch procured the cauterized corpse from the oven. Now reduced to mere handfuls of drab, sooty ash, the remains were delicately poured into a dilapidated, begrimed, brass urn. Nearby stood the widow, anxious to claim the meager fortune that pitious jar in Mitch’s trembling grasp represented, all the while making eyes at him, her smile illuminated by the flickering glow of the dying furnace. Laying hold of the urn and stuffing it into a faux-designer handbag, the widow pivoted on her heels, and with a calculated flip of her peroxide hair, nonchalantly began to saunter away. “Oh, and about that suit you promised,” the widow self-assuredly called to Mitch over her shoulder with a coquettish wink, “wear it when I pick you up on Friday.”

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released April 24, 2020

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Monkeygrinder Salt Lake City, Utah

A collection of artists with a taste for the bizarre celebrating the music of carnies, clowns, hobos, pirates, crazed elephants, and other characters on the fringe.

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